Sept. 10, 2019

St. Louis Symphony Orchestra to read works by Mizzou composers
Hans Bridger Heruth, Ethan Forte, and Daniel Vega

Three University of Missouri student composers will have their works played by musicians with the St. Louis Symphony Orchestra this year as part of a joint educational venture between the orchestra and the Mizzou New Music Initiative. Student composers Hans Bridger Heruth, Ethan Forte, and Daniel…

Feb. 14, 2019

Mizzou New Music Ensemble to perform works by Socolofsky, Kirsten, Dennehy, Christensen and Forte on Sunday, February 24 at Whitmore Recital Hall

The Mizzou New Music Ensemble will perform works by three visiting composers plus two world premieres by Mizzou students in a concert at 7:30 p.m. Sunday, February 24 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is free and open to the public. The program will feature “Don’t say a…

April 16, 2018

Mizzou New Music Ensemble to debut “Innovation Symphony” with performances in Columbia and St. Louis

The Mizzou New Music Ensemble will celebrate the spirit of creativity in technology and the arts with performances in Columbia and St. Louis of “Innovation Symphony,” a new collaborative, multi-part work by four Mizzou student composers. “Innovation Symphony” will be previewed in a concert at 7:30 p.m. Monday, April 23 at Whitmore Recital Hall on…

Nov. 14, 2017

Mizzou New Music Ensemble presenting “Words and Music” and more on Sunday, December 3 at Whitmore Recital Hall

The Mizzou New Music Ensemble will premiere new works by seven different Mizzou composers in a concert at 7:30 p.m. Sunday, December 3 at Whitmore Recital Hall, 135 Fine Arts Building on the Mizzou campus. Admission is $5 for the general public, free for Mizzou faculty, students and staff with ID. The full Ensemble (pictured)…

Feb. 10, 2016

Missouri Composers Orchestra Project selects six works for concert on March 20

For many young composers, writing for orchestra or chorus represents a significant pinnacle of achievement, offering artistic satisfaction and enhancing credibility and career opportunities. Reaching that pinnacle, however, also requires getting that new, large ensemble work played in public, which is not always an easy task when resources are scarce and many music directors tend…