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The University of Missouri School of Music and Mizzou New Music Initiative have awarded Nate Leslie the 2027 Sinquefield Composition Prize. The prize is the top award for composition students at Mizzou and is made possible by Dr. Jeanne Cairns Sinquefield, Rex Sinquefield, and the Sinquefield Charitable Foundation.
Leslie receives a $2,500 scholarship and a commission to write a new work for the University Symphony Orchestra titled “CARDS ON THE TABLE, GUNS BY THE DOOR.” The new composition will premiere at the President’s Mizzou Arts Showcase on Feb. 19, 2027, and will also be professionally recorded.
Nate Leslie has built a musical voice that emphasizes power and presence. “This piece is what we affectionately refer to in the concert music world as a ‘face melter,’” Leslie said. “There will be thrashing from the percussion, destruction from the brass, fireworks from the woodwinds, and unlimited power from the strings.”
Leslie drew inspiration for the composition from pop punk, the first musical style with which he felt a personal connection. Although the piece does not directly imitate the genre’s sound, it incorporates pop punk’s edginess and maximalist aesthetics. The composition features two clarinet soloists, Mizzou School of Music faculty members Bill Kalinkos and Wes Warnhoff, pitted against the orchestra for a dramatic showcase of virtuosity. Kalinkos is also a clarinetist with the Grammy Award-winning ensemble Alarm Will Sound.
Through the Mizzou New Music Initiative and summer music festivals, Leslie has studied with notable composers including Viet Cuong, Jennifer Jolley, Marc Mellits, André Thomas, and Chen Yi. His music has been performed across the United States, including premieres with Eighth Blackbird and members of the St. Louis Symphony Orchestra. Although his primary interest is the wind ensemble, his catalog includes works for solo instruments, chamber groups, and larger ensembles.
The award reflects the Sinquefields’ longstanding commitment to giving student composers the opportunity to hear their work brought to life. “There’s nothing more wonderful than to sit in a concert hall and hear a piece of music that was written because of our program,” said Dr. Sinquefield, “The joy of life is music.”
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