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The Mizzou New Music Initiative is pleased to welcome Judd Greenstein as one of two Distinguished Guest Composers for the 2025 Mizzou International Composers Festival.
The Festival, which takes place from Wednesday, July 23 through Saturday, July 26 on the campus of the University of Missouri and at the Missouri Theatre, will also welcome Distinguished Guest Composer Hilda Paredes.
Greenstein will have private meetings with the Resident Composers, work with groups who will be performing his music at the Festival, and make a public presentation about his music and career as a composer. The presentation is at 7:30 p.m. Wednesday, July 23 at the Sinquefield Music Center’s Sheryl Crow Hall.
Two of Greenstein’s works will be performed during the Festival. Compromise will be premiered by Alarm Will Sound on Thursday, July 24 at 7:30 at the Missouri Theatre, and At the end of a really great day will be performed by the Mizzou New Music Ensemble on Friday, July 25 in Sheryl Crow Hall.
Judd Greenstein is a composer and advocate for the independent new music community in the US and around the world. His works for standout groups such as Roomful of Teeth, NOW Ensemble, and yMusic have reached global audiences and received widespread critical acclaim. As a founder of New Amsterdam Records and the Ecstatic Music Festival, Judd has been a leading voice in developing a genre-fluid musical infrastructure that endeavors to open new channels of participation and representation in contemporary music.
Judd’s music teaches its language as it tells a story, with clear musical ideas coalescing into rich structures and tapestries of sound. Much of Judd’s work is built on contrasts and juxtapositions between the jittery, competing pulses of the New York City streets where he grew up and the placid landscapes of the rural farmland he now calls home. The result is a body of work that is “at once beautiful and thought-provoking” (San Francisco Chronicle) and “sings without words of our highest possible ideals” (A Closer Listen). He has been commissioned by major institutions such as Carnegie Hall, the Lucerne Festival, and the Minnesota Orchestra, but most of his music is written for small ensembles and self-generated projects that allow for close work with carefully-chosen performers who are given wide latitude in interpreting Judd’s scores.
Judd’s practice embraces interdisciplinary collaboration. His work has been commissioned and choreographed by groups such as New York City Ballet, Constella Ballet, BalletCollective, Malashock Dance, Nimbus Dance and Ballet Sun Valley, where he worked with choreographer Gemma Bond and ballerina Isabella Boylston. He has scored numerous films, including The Mend (co-composed with Michi Wiancko) and Pyramyd Studio’s forthcoming short, A Life, Lost, and has collaborated on a wide range of projects, from an audiobook score for Kobe Bryant’s Granity series to an installation with photography collective New Catalogue at the Scottsdale Museum of Contemporary Art.
Judd’s first opera, A MARVELOUS ORDER, is a collaboration with animator Joshua Frankel and poet Tracy K. Smith. It tells the story of Jane Jacobs and Robert Moses and their epic battle over the fate of mid-20th century New York, and premiered at Penn State’s Center for the Performing Arts in October 2022. Heidi Waleson, writing for the Wall Street Journal, wrote, “The opera deserves a hometown hearing, and wider circulation, for its thoughtful depiction of the conflict and its unusually imaginative, multimedia form.”
Active as a producer for select projects by close collaborators (including NOW Ensemble and Nadia Sirota), Judd is currently producing an album by legendary pianist Awadagin Pratt, with A Far Cry and Roomful of Teeth, featuring commissioned work by composers Jessie Montgomery, Paola Prestini, Alvin Singleton, Tyshawn Sorey, Pēteris Vasks, and himself. Other current and future commissioning projects include a series of electroacoustic recordings with Ambrose Akinmusire, Alex Sopp, Michi Wiancko, Titus Underwood, and Andrew Yee, a large community-based choral work for Classical Uprising in Portland, ME, a concerto for vibraphonist Pascal Schumacher, and the relaunch of The Yehudim, an ensemble of singers, percussionists, keyboardists, and guitarists that explores Biblical subjects through a contemporary lens.
Judd is active as a promoter of new music in New York and around the world. He is co-director of New Amsterdam Records, curator of New York’s Ecstatic Music Series and Latvia’s Ecstatic Music Ventspils, and co-curator of the Apples & Olives festival in Zürich and Bern. He has been a visiting professor at Williams College, a Mentoring Artist at the Atlantic Center for the Arts, and has worked with students at the Antenna Cloud Farm Experimental Institute, the Gabriela Lena Frank Creative Academy, the New Amsterdam Composer’s Lab, and numerous conservatories and music departments around the country.
Judd lives in Gill, MA, a small farming community in the Connecticut River Valley, with his wife, composer and violinist Michi Wiancko, and their two young children. Michi is the Artistic Director of Antenna Cloud Farm, a music festival, artist’s retreat, & community organization that is based out of their small farm; together, they use the farm as a platform for artistic support, community engagement, and progressive organizing within their community. For more information visit antennacloudfarm.com.
“Judd Greenstein is a composer who Alarm Will Sound has discussed working with for a long time,” said MNMI Artistic Director Stefan Freund. We are grateful that the Mizzou International Composers Festival gives us the opportunity to work with him as well as with all the Resident Composers and members of the Mizzou New Music Ensemble.”
For a complete schedule of events, times, dates, and venues for the 2025 Mizzou International Composers Festival, please visit the MICF website.
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