Resident composer inti figgis-vizueta this year will achieve an historic trifecta of sorts in the annals of the Mizzou International Composers Festival, as they will be the first resident composer to have three of their works played by three different ensembles in a single year at the MICF.
Like the seven other resident composers, figgis-vizueta (pictured) has written a new piece for Alarm Will Sound, who will perform their “braiding on golden stoops” as one of the eight world premieres presented in the grand finale concert on Saturday, July 27 at the Missouri Theatre.
In addition, Mizzou Percussion will play figgis-vizueta’s “To give you form and breath” as part of the “Mizzou New Music” concert on Friday, July 26 at the Missouri Theatre; and Khemia Ensemble will perform their “Openwork, knotted object // Trellis in bloom // Recipe for lightning” at the matinee concert on Saturday, July 27 at Whitmore Recital Hall.
inti figgis-vizueta – they use the lower case and non-gendered pronouns – was born in Dublin, Ireland; raised in Washington, DC; and now is based in Brooklyn, NY. When not composing, they work as a curator for Score Follower.
figgis-vizueta writes music that “focuses on combinations of various notational schemata, disparate and overlaid sonic plans, and collaborative unlearning of dominant vernaculars. She/they often write magically real musics through the lens of personal identities, braiding a childhood of overlapping immigrant communities and Black-founded Freedom schools—in Chocolate City (DC)—with Andean heritage and a deep connection to land(s).”
They have received numerous awards, most recently winning National Sawdust’s 2019 Hildegard Competition, and getting a chance to participate in the the American Composers Orchestra’s 2019 Underwood New Music Readings. They also have won calls for scores from organizations and festivals such as West Cork Chamber Music Festival, Verdant Vibes, N/A Ensemble, UnTwelve, Baltimore Choral Arts Society, and 113 Collective.
figgis-vizuata’s music has been played by ensembles including loadbang, PUBLIQuartet, Hypercube, RTE Contempo String Quartet, Balance Campaign, the Shenandoah Valley Youth Symphony, the SJSU Wind Ensemble, and more. They also actively freelance as a composer, with recent commissions including new works for clarinetist Gleb Kanasevich, trumpeter Kate Amrine, countertenor Luke Paulino, and the duo Mazumal.
For more about inti figgis-vizueta, listen to their interview recorded a few weeks ago for KMUC’s “Mizzou Music” program, and read their interview from earlier this year published by NationalSawdust.org (conducted by 2014 MICF distinguished guest composer Nico Muhly) and their “5 Questions” interview on I Care If You Listen (answering queries posed by 2018 MICF resident composer Gemma Peacocke).
“Symphony for the Body,” performed October 29, 2017 by Boston Conservatory Composer’s Orchestra
“Placemaking,” performed in 2018 by Boston Conservatory Composer’s Wind Ensemble, conducted by Mark Powell