The Mizzou New Music Ensemble will play their second concert of the academic year (and their final show of 2014)  at 7:30 p.m., Sunday, December 7 in Whitmore Recital Hall, 135 Fine Arts Building on the University of Missouri campus. Admission is free for Mizzou students, $5 suggested donation for the general public.

The program will feature a turn-of-the-century piece from a Pulitzer Prize and Grammy Award winning composer, plus four brand new works written right here in Missouri.

The prizewinner in question is Jennifer Higdon (pictured), the acclaimed contemporary composer whose major awards include a Pulitzer in 2010 for her Violin Concerto, and a Grammy that same year for Best Contemporary Classical Composition for her Percussion Concerto.

For this concert, the MNME will play Higdon’s “Celestial Hymns,” a work written in 2000 that further develops some of the material from a previous composition, “Blue Cathedral,” to evoke the details of stained glass within said cathedral.

Also on the program are three new works written by Mizzou composition majors: “Of Trickery and Toys,” by sophomore Erin Hoerchler; “The Pathless Woods,” by freshman Gus Knobbe; and “Nachtmusik” by junior Grant Bradshaw.

The concert will conclude with “Push/Pull,” written in 2013 and revised this year by Kansas City’s Nicholas Omiccioli, who was one of the resident composers at this past summer’s Mizzou International Composers Festival.

The seven-member Mizzou New Music Ensemble is made up of University of Missouri graduate students under the direction of Stefan Freund, a cellist, composer and associate professor.

The Ensemble’s members for the 2014-15 season are Taylor Burkhardt, piano; Rachel Czech, cello; Jose Martínez, percussion; Jeremiah Rittel, clarinets; Erin Spencer, flute; Britney Stutz, violin; and Korin Wahl, viola.

The Ensemble serves as the repertory group for the Mizzou New Music Initiative, an array of programs intended to position the University of Missouri School of Music as a leading center in the areas of composition and new music. In that capacity, they work with faculty, students and visiting composers, and give public performances on campus and in the community.